Painting

 

 


 


 

APPEARANCE OF SAINT AUGUSTINE TO SAINT TERESA
Author: Juan Bautista Bayuco.
Period:
(Late) 17th century - (early) 18th century .
Technique: Oil on canvas.
Segorbe (Castellón). Parish church of San Martín Obispo.

 

BAPTISM OF SAINT AUGUSTINE
Author: Gaspar de la Huerta.
Period: 17th century.
Technique: Oil on canvas
Segorbe (Castellón). Parish church of San Martín Obispo.
 


 


 

DESCENT OF CHRIST TO LIMBO. ALTARPIECE OF THE SOULS OR OF THE LIBERATION OF THE JUST
Author:
Vicente Castelló and workshop.
Period: 17th century (second decade)
Technique: Oil on canvas
Segorbe (Castellón). Parish church of San Martín Obispo.

 

SAINT MARTIN'S DREAM. ALTARPIECE OF SAINT MARTIN
Author: Juan Ribalta and workshop
Period: 17th century (second decade)
Technique: Oil on canvas
Segorbe (Castellón). Parish church of San Martín Obispo.
 


Precious metal work
 


 

Title: MAIN PROCESSIONAL MONSTRANCE
Period: 1666
Technique: Gilt, engraved and chiselled silver, with application of cast items and polychrome enamels on a copper base.
Segorbe. Cathedral Museum.

 

Title: PROCESSIONAL MONSTRANCE
Author: Valencian workshop.
Period: 17th century (second half).
Technique: Gilt, embossed and chiselled silver, with application of niello enamels.
Caudiel (Castellón). San Juan Bautista Parish church.

 


 

Title: PROCESSIONAL MONSTRANCE
Author: Valencian workshop.
Period: 1684
Technique: Gilt and chiselled silver, with application of cast items and niello items.
Chelva (Valencia). Parish of Nuestra Señora de los Ángeles.

Title: PROCESSIONAL MONSTRANCE
Author: Valencian workshop.
Period: 1664
Technique: Overgilded metal chiselled, engraved and lathe-turned, with application of cast items, niello enamels and glass pieces.
El Toro (Castellón). Parish church of Nuestra Señora de los Ángeles.


 


 

Title: PROCESSIONAL MONSTRANCE
Period: 1666
Technique: Gilt, chiselled and engraved silver, with application of cast items and polychrome enamels.
Segorbe.Cathedral Museum.

Title: VERA-CRUZ RELIQUARY
Author: Valencian workshop.
Period: 1664
Technique: Gilt chiselled and lathe-turned metal, with application of niello enamels and cast items.
El Toro (Castellón). Parish church of Nuestra Señora de los Ángeles.



Embroidery / Tejidos
 


 


 

Title: CHASUBLE
Period: 17th century (first quarter)
Technique: Gold and silver thread and coloured silks. Embroidery with coloured silks and golden threads and silver annulations, braid and cordonnet.
Segorbe. Cathedral Museum.


Title: CHASUBLE (DETAIL)
Period: 17th century (first quarter)
Technique: Gold and silver thread and coloured silks. Embroidery with coloured silks and golden threads and silver annulations, braid and cordonnet.o
Segorbe. Cathedral Museum.




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© The Light of Images, Segorbe 2001